sabato 8 agosto 2009

stage dos: experimentation

Well I researched Creffield and Monet, and experimented with combining their styles, to produce a new and wicked style of my own.. i liked Monet's use of colour, as his impressionistic style uses colour in an abstract way to represent certain lighting at different times of the day and different perspectives of the same thing.. and i liked Creffield's spontaneity and rabid strokes, which also seemed influenced by times of the day and weather. i attempted to put these two together to create my oil pastel colourful church thingy bobby.. I'm not finished developing my style because Im not completely happy with it yet.. i don't have photoshop so i have to resort to going back to pencil and paper :( its very depressing.. and i dont have a great amount of materials either.. but i wanted to do my final project on paper with chalk, charcoal and oil pastel.. with a composition of colourful (outside) churches, and then deep and lugubrious (haha) inside churches with chalk and charcoal, because the church CONTROLS people both on the outside (visually) and on the inside (spiritually).. so yeah..

copying monet's painting of rouen.. bit of a failure, but i like the oil pastels..: this was me having fun in england, with a style i just started to use when continous line drawing people on the street.. i thought it might work for churches but i decided it didnt..:

copycat of Creffield's inside of a cathedral, i like it especially because it fits so well with my photographs of the church in Vienna, (cheers Mr M):

using Creffield's style with my own photos.. my sexy new style.. im quite liking it..




just seeing how it looks with water-soluble graphite.. nothing special.. :


inside of churches, using Creffield's style (one on white paper, one on black sugar paper):
my sexy new style even bigger... not sure if it needs another colour? any suggestions?

2 commenti:

  1. Good stuff LH!

    I was pondering who to suggest you look at next and was thinking about David Bomberg (creffield's teacher) - not so much the vorticist stuff (like futurism) but the later landscapes from Spain and the middle east

    Anyway then I came across Miles Richmond - look him up - he might suggest a way forward...


    Did I ever tell you my Creffield story?

    RispondiElimina
  2. haha no, what's your Creffield story?

    "This existence has been defined and defended for us by Milton in these words:

    “It is not within the province of any visible church, much less of the civil magistrate, to impose their own interpretations on us as laws, or as binding on the conscience; in other words as matter of implicit faith.”

    This is a human existence we still recognise, and will defend with all the powers of imagination.

    In this way we answer the ungodly charge."

    Miles Richmond 10 October 2001

    he fits in pretty well, and i love his use of colour, I'll research him more..

    RispondiElimina